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Andrew Schulz: A native New Yorker and internationally touring standup comedian, Andrew Schulz is known for his hilarious and unapologetic comedy. Schulz challenges conventional wisdom with an NYC tone that is often idiotic, at times brilliant, but always hysterical. He recently starred in the sitcom Benders, now on Netflix. He can be seen in Amazon’s Sneaky Pete and the new season of HBO’s Crashing, and he also co-stars in the new Hulu dramedy There’s Johnny, premiering in November. While at MTV, Schulz starred in numerous shows for the network, including Guy Code, Girl Code and Uncommon Sense. Andrew and his Guy Code co-star, Charlamange tha God, created the widely successful podcast The Brilliant Idiots.

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Matcha, sencha, gyokuro, hojicha — how many kinds of Japanese green tea do you know? At this talk, Rona Tison, tea expert and Exec. Vice President of ITO EN North America, the global leaders of green tea, will take you through the fundamentals of this invigorating beverage. Learn how to best brew and drink the teas, the health benefits you may expect, and the new trends in the world of tea. Watch live as Tison demonstrates the delicate artistry of the Japanese tea brewing process and how to pair green teas with wagashi sweets. It’s time to embrace the arrival of spring with a little green… tea! Followed by a cherry blossom-themed reception featuring tea and wagashi.

The 2018 Summer Intensive is a 4-week program with classes and workshops in: ballet, pre-pointe, pointe, répertoire, partnering, modern dance, modern jazz, barre au sol, music and voice, ballet terminology (French), dance history, acting, arts and crafts, folkloric dance, and stage makeup.

DJ/Producer & Mixing Engineer with many knowledgeable years of experience. His stronghold is House music, more specifically Afrobeat, Afrohouse, & Techouse, putting into the mix all types of music and creating a fresh spin on African – Caribbean – Latin – Middle-Eastern – Bangla to current, old school, Hip-Hop, R&B, Soul & Funk. As a world Music Coup DJ he also makes his own beats and remixes.

In the wake of a school-wide tragedy, one fourth grade class comes together to present a play written by their fallen class-mate, Johnny. Inspired by the love-suicide plays of Kabuki theatre, this stunningly musical, disturbingly comedic piece explores trauma through the eyes of a child. Join Director Jonathan Schlieman, Producer Alexis Confer and the amazingly talented cast and crew for a not to miss theatrical performance. Get your tickets today! https://4thgraderspresent.bpt.me/ Featuring: Ari Shapiro* – Johnny Amelia Windom* – Sally Ellen Cheney – Rachael EmJ Nelson – Brenda Erin Marsz – Lucy Law Motomi Tanaka – Singer Ted Serro – Mike Rice *courtesy of Actors Equity Artwork by: Cecilia Faraut Original Score by: Tom Lee

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Indian machine manufacturer, Multitec, will launch S2 label printing press at the show. The company has developed the sleeve concept for this machine where the print cylinder has been converted into a metal sleeve with side bearers. The sleeve is self sufficient in the sense that it does not need an air mandrel to be mounted.

The unit is made from solid wood with a durable lacquered finish and has a small footprint, making it perfect for smaller spaces.

In June of 2015, Miriam Schapiro, the pioneering feminist artist and founding member of the Pattern and Decoration movement, passed away at the age of ninety-one. Surprisingly, given her status as the elder stateswoman of the feminist art movement, the tremendous impact of her oeuvre on contemporary art has yet to be fully acknowledged or critically assessed. This exhibition seeks to redress this gap in the history of American art through an exploration of Schapiro’s signature femmages, the term she coined to describe her distinctive hybrid of painting and collage inspired by women’s domestic arts and crafts and the feminist critique of the hierarchy of art and craft. In examining the aesthetic and political objectives of Schapiro’s femmages, this exhibition highlights the pivotal role her work and leadership played in the expansion of the art world to include historically marginalized forms of craft, decoration, and abstract patterning associated with femininity and women’s work. Although she is unheralded as the source, the influence of Schapiro’s subjective approach to forms of decoration can be identified today in an remarkably diverse group of artists who continue to find inspiration in her embrace of artistic practices outside the art historical canon. To highlight this legacy, works by a select group of contemporary artists, including Sanford Biggers, Josh Blackwell, Edie Fake, Jeffrey Gibson, Judy Ledgerwood, Jodie Mack, Sara Rahbar, Ruth Root, and Jasmin Sian, will be exhibited alongside Schapiro’s signature femmages. This juxtaposition of historic and contemporary work brings into critical focus the tremendous role Schapiro’s femmages played in the reframing of craft and decoration, while shining a light on the way artists today, both distinguished and emerging, continue to approach the decorative as a language of abstraction tied to the personal and the political.

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