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Iwan Baan, one of the most sought-after architectural photographers today, will talk with William Menking, Founder and Editor-in-Chief of The Architect’s Newspaper about how a photographer’s aesthetic choices and use of technology can imbue seemingly static buildings with feeling and meaning. Baan, whose work is in the current exhibition, Image Building, is known for images that narrate the life and interactions that occur within architecture. With his combined passion for documentary and space, Baan’s photographs reveal our innate ability to re-appropriate our available objects and materials, in order to find a place we can call our own. Examples of this can be seen in his work on informal communities where vernacular architecture and placemaking serve as examples of human ingenuity, such as his images of the Torre David in Caracas–a series that won Baan the Golden Lion for Best Installation at the 2012 Venice Architecture Biennale. With no formal training in architecture, his perspective mirrors the questions and perspectives of the everyday individuals who give meaning and context to the architecture and spaces that surround us, and this artistic approach has given matters of architecture an approachable and accessible voice.

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Indian manufacturer of corona treatment system, IEEC, displays its latest model of corona treater for narrow web segment. IEEC integrated 4.5in color HMI on treating station for ease of operation and control. Pullout cartridge of ceramic electrode is designed for web threading and easy maintenance which reduces the downtime of machine. The compact design of treating station allows it to mount in a limited space on any narrow web press. IEEC corona treatment systems are CE marked confirming to the American and European safety standards. The company was awarded the India Design Mark award from the Government of India for best design category of narrow web treater.

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One can’t help but fall in love with the intro of this album, “Heron Flow” (featuring Julian Bell). On the track, he begins like an artist who knows he’s about to snatch the souls of listeners with his lyrics. He starts by saying: “My name, of course, is Mick Jenkins … and we are here this evening to give you some free thought. Some food for thought.” Meanwhile, on “Gwendolynn’s Apprehension”, he continues to spread the wisdom: “Can’t teach and young nigga, he don’t want to know / Could be a flower, he don’t want to grow.” As most rappers his age aim to draw attention to themselves, Jenkins opts to focus on the message and the audience who needs to hear it most. (Consequence of Sound)

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Buffalo Performing Arts Law Society’s UB Law’s Got Talent – University at Buffalo April 13, 2018 – New York

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A much cheaper non-connected food scale and a comprehensive nutrition tracking app continues to be a viable alternative to something like the Situ Scale, but with the newly updated app, the Situ Scale can do things standard scales can’t, such as calculate the exact calories in each portion of a custom-created dish.

G Contemporary is pleased to present the next show from New-York-based artist Jan Larsen. Debuting works in multiple media from the artist’s late-2017 and early-2018 meditations on the meanings of the word ‘fit’ – as in physical beauty, readiness-to-lead, and ‘fitting-the-bill’ – the show is the artist’s fourth with the gallery. FIT extends several streams of work begun in Larsen’s 2015 debut with HG – works that reference mass and social media, their impacts on our social fabric, icons from popular culture, metaphorical colorfield works, text-based "word work," posed photographs, and conceptual sculptural installations that meditate on and respond to some of the history and present fragmented social state of America, and its place in our current global social context. The show will also debut a new series of abstract paintings that extend Larsen’s work into the realm of abstract expressionism.