China’s Matsuoka Printing adds digital label printing with world’s first Winbosc Cloud | Labels Screen Printer

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As part of Anna Craycroft’s exhibition and residency "Motion into Being," presented during the Department of Education and Public Engagement’s Spring 2018 R&D Season: ANIMATION, artist Will Rawls will respond to Craycroft’s anthropomorphic animation project with three episodes exploring her objects as props and bodies, while investigating his own limited potential to fake animation. Interacting with the objects and media in Craycroft’s exhibition, Rawls will scrutinize surface, storytelling, space, and texture to choreograph this series of unfortunate "persons." Will Rawls is a choreographer, writer, and performer. His practice engages relationships between language, image, architecture, sound, and dance to formulate non-disciplinary questions regarding humanity and social inscription. He frames the dancer within the racialized codes of art space, where systems of technique and power collide and can be critically unraveled by the personal. Rawls has shown work at Portland Institute of Contemporary Art (2017), ImPulsTanz (2016), MoMA P.S.1 (2016), Danspace Project (2016, 2015, 2012), Performa 15 (2015), and the Chocolate Factory (2013). His writing has been published by Artforum, Triple Canopy, les presses du réel, the Museum of Modern Art, the Hammer Museum, and Danspace Project. He is recipient of a 2017–18 Guggenheim Fellowship, a 2017 Robert Rauschenberg Foundation Residency, the Casinos Austria 2016 Prix Jardin d’Europe, and a 2015 Foundation for Contemporary Arts Grant.

He also owns a 10,000-acre ranch, named “Zorro,” in New Mexico, a private island called “Little St. James” in the Virgin Islands, the $13 million house in Palm Beach, a Gulfstream jet and, at one point, owned a Boeing 727.

Set in the Middle Ages, the melodrama of Italo Montemezzi’s 1913 masterpiece is fueled by a lush symphonic score influenced by Wagner and Debussy. City Opera’s new production of L’Amore dei Tre Re (The Love of Three Kings), conducted by Pacien Mazzagatti and directed by Paul Curran, will be the first performance in New York City in over a decade.

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Here’s a Spotify playlist of my 55 favorite albums from the second half and a full, 93.5-hour playlist of all my album picks for 2018. And here are song picks—one from each album—for the second half as well as the entire year:

Dantex introduces the PicoJet digital UV inkjet press, developed by its Advanced Engineering Team. Working at 350mm width and at 75m/min (250ft/min), PicoJet print at 600 DPI at 2.5pl dot size. PicoJet is a 7-color printing system using LED final cure with temperature controlled back-up roller for temperature-sensitive substrates. PicoJet incorporates static control, web cleaning and corona treatment for a wide substrate printing capability. PicoJet has been built on a modular platform, offering a wide range of in-line finishing options; die-cutting, lamination, backslit/edge trim, slitting and rewinding. Dantex has also increased its software offering, with the introduction of full Variable Data functionality, which runs alongside Dantex’s press operating software. Dantex will also display its PicoColour entry-level UV inkjet press in configurations demonstrating CMYK + white, varnish and chill roller printing. PicoColour now also incorporates full variable data.

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Violent in Black, The Dickey Fuller Band, Cole DT, Area-NYC, Joel Z – Pianos April 14, 2018 – New York

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