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Ukiyo, or "the floating world," describes the hedonistic culture of kabuki theater, geisha, bath houses, and pleasure quarters in Japan’s Edo period. It is homophonous with the Buddhist term for "this world of sorrow and grief." The Floating World is an exploration of the meaning of support. When people experience pain or trauma, their loved ones "hold them together" and "lift them up." The installation consists of a series of glass orbs, suspended and connected in a hybrid style of shibari and ukidama, or Japanese fishing floats. Each orb holds a floating artifact of the artist’s relationship with a member of their community. With original musical composition by Sean Harold. Emma Sulkowicz (b. 1992) is an American artist of Japanese-Chinese-Jewish descent who lives and makes art in their hometown, New York City. They earned a BFA in Visual Arts from Columbia University in 2015 and studied studio art in the Whitney Museum Independent Study Program. They are perhaps best known for their senior thesis at Columbia University — "Mattress Performance (Carry That Weight)" — an endurance performance artwork in which they carried a dorm mattress everywhere on Columbia’s campus for as long as they attended the same school as their attacker. Their awards include the National Organization for Women’s Woman of Courage Award (2016) and Susan B. Anthony Award (2014), the United States Student Association’s National Student Movement Builder of the Year Award (2015), and the Feminist Majority Foundation and Ms. Magazine’s Ms. Wonder Award (2015).

The other notable development on Sheer Heart Attack is the stylistic range, particularly for Mercury, who finally indulges his Liberace side on “Lily of the Valley” and also invents thrash metal on “Stone Cold Crazy.” That Mercury could commit to both extremes — and dozens of points between them on subsequent records — remains the key to his musical genius. Grade: A-

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Mas difícil que explicar qué es dar papaya es tratar de explicarlo en otro idioma/cultura. Primero hay que explicar que es la papaya. Luego que además de fruta es una oportunidad facil. Luego por que se aprovecharia la gente de las oportunidades que dan los otros. Y ni para que entrar a hablar de eso de que “camarón que se duerme se lo lleva la corriente”!

Harmony Cafe is the first Pay-What-You-Can nonprofit community cafe on Long Island, where it doesn’t matter how much you can pay for a meal as long as you receive one. To ensure their guests can eat every day, Harmony Cafe needs to expand its services. Come and enjoy great food (cash bar) and music by Soul Purpose as you help support a great cause! Including a Chinese auction and 50/50 raffle.

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Avery Dennison will introduce a number of products designed to drive sustainability. The company will demonstrate its latest products including MC FSC recycled paper facestock, sensorial collection of textured label materials, and clear hotmelt adhesive for chilled food labels. MC FSC Recycled facestock enables label converters to help customers meet sustainability targets while offering similar whiteness, brightness and opacity to conventional facestock, it converts fast and is manufactured without chlorine bleaching. The Avery Dennison Sensorial Collection gives designers a broad toolset to create soft, textured or patterned papers that give a premium, vintage or artisanal feel. These label surfaces can give consumers subtle messages about the bottle’s contents while still delivering a visual impact. The ultra-clear, non-yellowing S2405C hotmelt adhesive offers both the tack and application temperature of a conventional hotmelt adhesive without the ‘yellowing’ effect. Designed for a ‘no label’ look for chilled foods, the S2045C adhesive also delivers a lower total applied cost as it does not require a barrier-film facestock.

Matus Prochaczka creates vivid renderings of futuristic automobiles in his works that blend digital art and traditional painting techniques. Using acrylic sprays, acrylic paint, and a palette knife, the artist embellishes his digitally printed inventions with painterly streaks and smears that evoke speed. Modeled on sophisticate computer software, the metallic cars have razor sharp edges and finely wrought details, but it is the artist’s hand that injects the works with dynamism. Prochaczka’s 14_Fernando Alonso at Virtual Track features a slick Formula One racer whirring through space. Though the artist designs the cars himself, he maintains the logos and sponsors seen on typical Formula One cars in order to evoke the mix of fanaticism and nostalgia associated with the sport. 33_Max Verstappen Night Race depicts a space age car that is almost completely abstracted, blurred nearly beyond recognition by threateningly fast speeds. Speed is further emphasized with strong strokes of acrylics and spray paint in the artist’s most recent work, 29_Alonso INDY500, a digital print with the glimpse of a driver in a split second as he races along the Indianapolis 500 track.

Lady GaGa Reveals ?ARTPOP? Album Cover | Neon Limelight – Exclusive Music News, Artist Interviews, Reviews, Photos!