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This is the album that’s known among Queen-heads as The One Where It All Comes Together. Whereas the first two records sound like Rush if Neil Peart had read Oscar Wilde instead of Ayn Rand, Sheer Heart Attack has a genuine pop sense spotlighted by Queen’s first international hit, “Killer Queen.” Freddie drops the “Tolkien but hornier” affectations of Queen II and gets down to the business of competing in the same marketplace as Wings and Elton John, relating a naughty narrative about a bisexual call girl who gets it on with Khrushchev and Kennedy, though I suspect the part about being “dynamite with a laser beam” actually refers to May’s guitar solo, an interstellar soft-shoe over the swanky, mock-vaudevillian piano lick.
We think open-source data is good for business and for our social mission â it’s a win-win for everyone.â Restaurants have been signing up to work with Real Time Farms, specifically those that want to differentiate themselves by being able to show the story about all of their ingredients to a food-savvy customer base.
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The various awards ceremonies have seen plaudits heaped on the business. At the PrintWeek Awards judges said: “CS Labels has enjoyed a fast ride this year. Ordinarily a big site move can put a significant strain on cashflow – not so for CS Labels. MD Simon Smith has managed a number of expansion drives and while his staff held on to their hats and enjoyed the ride to further expansion in 2018, PrintWeek awards judges raised theirs in salute”.
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Focus Label Machinery will launch a new range of compact video platemounting systems for narrow and mid web applications. Platemate 2 uses twin digital cameras with laboratory standard microscope lens for high magnification of the polymer plate registration marks. LED lights are integrated into each camera, ensuring that light is balanced on both edges of the polymer plate, to prevent optical distortion. A soft polymer plate clamp is used to hold the plate in position on the cylinder, without damaging the polymer surface.
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For his debut on the esteemed Kranky label, Tahoe finds the Sacramento native not only returning to the West Coast but also fully pivoting to ambient music. While a noir twang ran through his recent mixtape as Barrio Sur, Tahoe wholly embraces the conventions of the genre. Opening tracks “Equity” and “The Crossing Guard” are so hushed that, if heard as the soundtrack for your morning commute, they dissolve almost completely into the daily noise. Quieter surroundings are required to really hear Bannon in motion. (Pitchfork)
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