Digital Printing And Packaging – Covering the Printing Inks, Coatings and Allied Industries | Luggage Belt Continuous Dyeing And Finishing Machine

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An introduction to the game rules for singles/doubles/cutthroat, safety, fundamentals, basic competitive play. Here you will learn how to grip the racquet, forehand & backhand strokes, serves (drive, lob & half lob, overhand, z-serves & reverse z serves). In addition, you will learn basic shots (kill shots, off the back wall & into the back wall, ceiling, pass shot, cross court, and more).

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At this event, the Sustainable Funding Project at Bank Street will be kicking off a new set of work to support funded residencies in New York State, sharing its new report on the economics of teacher preparation, and facilitating a national panel. Join us for a short presentation, discussion, and short reception!

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Now on display at the New-York Historical Society is a newly acquired and conserved Picasso in the exhibition Picasso’s "Le Tricorne." It is the first work by Picasso, and one with great wall power and a New York history, to enter New-York Historical’s collection. Pablo Picasso painted the stage curtain for the two-act ballet The Three-Cornered Hat (El sombrero de tres picos or Le tricorne). The ballet and curtain were commissioned by the impresario Sergei Diaghilev for his avant-garde, Paris-based Ballets Russes, the most influential ballet company of the twentieth-century. The ballet was choreographed by Léonide Massine with music by the Spanish composer Manuel de Falla. It premiered on July 22, 1919, at the Alhambra Theatre in London with sets, costume designs, and the monumental stage curtain created by Picasso. Picasso biographer John Richardson once called "Le Tricorne" the artist’s "supreme theatrical achievement." The production, which was conceived by Diaghilev and Massine during a trip to Spain, was enhanced by its many Spanish collaborators, including Picasso who also designed the costumes and set for the ballet. Measuring roughly 20 feet square, the curtain depicts a scene with a bullring and celebratory spectators. Picasso painted it as an illusionistic window in a larger curtain that functioned as a backdrop setting the scene for the ballet. At some point before 1956 Diaghilev cut it from its larger context. For more than half a century the curtain, believed to be the largest Picasso painting in the United States, has hung in the hallway of the Four Seasons Restaurant, in the landmarked Seagram Building, designed by Ludwig Mies van der Rohe, on Park Avenue and Fifty-second Street in New York City. Vivendi, the company that once owned the Seagram Building, gave the Picasso curtain to the New York Landmarks Conservancy in 2005 as a "Gift to the City." The show positions Picasso’s curtain in a dialogue with other N-YHS objects, including paintings from the European tradition that provide background to the artist’s work as well as to the traditions against which the revolutionary artist rebelled. Other thematic threads pivot around dance subjects and explore roughly contemporary American paintings, sculpture, posters, and watercolors. Among the works included will be examples by William Adolphe Bouguereau, Will H. Bradley, Philippe de Champaigne, Jean-Léon Gérôme, Childe Hassam, Malvina Hoffman, Ricardo de Madrazo y Garreta, Elie Nadelman, Edward Penfield, Maurice Prendergast, John Sloan, and Adriaen van Utrecht.

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Introduces the mlabel Gen3 UV inkjet hybrid press, featuring the first fully integrated digital cold foiling unit as an option, allowing not only to generate metallic effects on labels and packaging in a single pass, but also to customize these effects with every print. This state-of-the-art module has been developed in cooperation with Leonhard Kurz using its Digital Metal UV Ink technology. Especially suited for wine and spirit labels, cosmetics and other high value label and packaging applications, the seamless integration of cold foiling into the digital workflow will give brand owners drastically more possibilities to enhance their products. The base machine will have a standard mechanical width of 330mm (13in) but does not have to be outfitted with a print engine of the full print width from the beginning. This will allow a technology implementer to start with a lower cost system and expand the print engine in the future, adding capacity without having to purchase a new machine. Print widths available are from 108-324 mm (4.25-12.75in) and single to multi-color (seven or more). Custom machines with print widths of 432mm (17in) and above are also available.