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    Domino and MPS host hybrid open house | Polyester Satin Ribbons Small Continuous Dyeing Machine

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    The NY Handmade Collective, formerly Etsy NY Street Team, is showcasing its collective history as makers, and offering customers something a little bit different and new: the chance to explore the history of making in NYC, past in present. The Holiday Handmade Cavalcade has nine years worth of history, and has become a must for holiday shoppers looking for unique and locally crafted gifts from indie vendors, all based in the NY tri-state area.

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    Danziger Gallery is pleased to announce our representation of the photographic estate of Antonio Lopez. The foremost fashion illustrator of the 1970s and 80s, Antonio (as he signed his work) was and remains one of the most highly regarded and influential figures in the fashion world. While not initially known as a photographer, Antonio was rarely without his favorite Instamatic camera, and as his career progressed he turned increasingly to photography to create fashion stories, portraits, and elaborate mise-en-scènes. This exhibition – the first to focus exclusively on Antonio’s photographs – features a selection of the unique Instamatic prints from the 1970s that were his photographic form. Developed and printed by Kodak, these prints were either mounted by Antonio or stored in the original yellow Kodak envelopes that the film was processed and delivered in. As Antonio never sent the negatives back for re-printing each print is unique. While primarily known for his fashion illustrations, Antonio did not treat his photographs lightly, assembling them in grids and pairs to create dynamic and visceral patterns. While the prints may superficially resemble Andy Warhol’s Polaroids because of their size and period, Antonio’s Kodak prints are a burst of energy to Warhol’s more classical studies. While Warhol’s Polaroids were mostly the basis for future painted portraits, Antonio’s photographs were an end to themselves. A serial Svengali, as the writer Karin Nelson noted: "Lopez brilliantly transformed the women in his world. Under his tutelage, Jerry Hall, a long tall Texan he met at Paris’s Club Sept, evolved into a golden goddess. He put Jessica Lange in gold lamé evening dresses after discovering her in Paris studying mime, and gave aspiring model Tina Lutz her start (and an introduction to future husband Michael Chow); and, by spotlighting Pat Cleveland, a mixed-race model with a theatrical streak, he helped break down the color barrier in high fashion." Other favorite subjects were the young Grace Coddington, Grace Jones, and Paloma Picasso. Antonio Lopez was born in Utuado, Puerto Rico in 1943. His family moved to Spanish Harlem in 1950 where he showed early promise as an artist making drawings for his mother who was a seamstress and dressmaker. In the early 1960s he enrolled on a course at the Fashion Institute of Technology (FIT) in New York where he met Juan Ramos who became his life long collaborator. He joined The New York Times in 1963 but was soon freelancing for Harper’s Bazaar, British Vogue and French Elle. In 1969 he moved to Paris with Ramos where he was commissioned by all the leading fashion magazines. He returned to New York in 1975 creating numerous covers and picture stories for Andy Warhol’s Interview Magazine. Antonio died in Los Angeles 1987. He was forty four years old. A documentary "Antonio Lopez 1970: Sex, Fashion, and Disco" is slated for release in the fall of 2018. Written, produced and directed by James Crump, the film covers his colorful and often outrageous milieu and features Jessica Lange, Jerry Hall, Grace Jones, Grace Coddington, Bob Colacello, Patti D’Arbanville, Karl Lagerfeld, Juan Ramos, Bill Cunningham, Yves Saint Laurent, Donna Jordan, Michael Chow, and Paul Caranicas, among others.

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    In this specialized exhibit, Mignola reveals some of his best pieces, providing viewers a look into his dark, spectral perspective. With his easily recognizable style of thin lines, unwieldy shapes, and heavy use of black forms, Mignola has amassed a large following of avid readers of his best-selling graphic novels. In 1982, hoping to find a way to draw monsters for a living, he moved to New York City and began working for Marvel Comics. During the 1990′s, after developing his iconic technique, Mignola moved to Dark Horse Comics, where he created his signature Hellboy series, a collection of comic books and graphic novels that chronicles the fate of a half-demon occult detective who may or may not be the Beast of the Apocalypse. In this exhibit, the Society will feature highlights from his fan-favorite Hellboy series, as well as other spin-off titles including work from B.P.R.D., Abe Sapien, and Witchfinder. The Society is also pleased to feature samples from his award-winning comic books including the Eisner Award winner The Amazing Screw-On Head (Dark Horse Comics) as well as Baltimore, or, The Steadfast Tin Soldier and the Vampire (Bantam Spectra), co-written by best-selling author Christopher Golden. This special exhibit will include an array of comic pages, covers, and rarely seen original paintings by Mignola.

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