Gerlinde Amei Wöllmer’s abstract canvases translate the natural landscape of her environment into cheerful explorations of both texture and color. Wöllmer often combines materials such as baked dry pigment, sand, and chalk with acrylic paint that imbues her paintings with autographic tactility. Works such as Dark and Light (2012) marry contrasting earth tones with grainy surfaces that evoke the tranquility of the artist’s surroundings. Although abstract, the artist incorporates organic shapes and coarse lines within her works that recall elements of nature, such as tree branches and coastal grasslands. In works such as Hoffnung (2009), bright swaths of neon pink, violet, forest green and turquoise are indiscriminately placed against a deep charcoal background. Although Wöllmer places each color in independent regions of the canvas, each tone emanates a lyrical tension, as if the colors were engaging in a symphonic conversation. Wöllmer gleans much of her inspiration from music, as well as the process of her practice. She explains: "The process of painting empowers me, and I sense this feeling is also conveyed to viewers who seem moved by my work."
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Amusing dismissals of his rivals are frequent, whether it’s in beautiful longform poetry on "Loosie," or in neat punchlines: “They stable full of sheep, we staying on the lam”, “I heard you got your sauce at the Enterprise”. There is frequent reconciliation with his parents (after the frictions that had a teenage Earl sent to school in Samoa), most movingly on a track that weaves together public speeches by the pair of them. And there is evident joy in the sly pop catchiness of the tight triplet flow on "Nowhere2go" or the chorus of "The Mint"—moments like these put Earl in a lineage of truly great MCs from Nas to Cardi B, who can turn a melody out of an idle utterance. (The Guardian)
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