Don’t Homeschool Your Kids, Unschool Them | Labels Screen Printer

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"Standing at the crossroads of rustic folk, mountain bluegrass and rocking alt-country, Elkin, N.C.’s Time Sawyer is a young band with plenty of old soul. They craft catchy, uplifting, not-too-polished tunes that retain the uncertainty and grit of daily life. The hooky but rough-hewn indie Americana of Ryan Adams, Justin Townes Earle and Jeff Tweedy are obvious influences, but the band’s roots stretch far and wide to include echoes of Buddy Holly’s rockabilly shuffle and Nashville Skyline-era Bob Dylan’s countrified warble. With an average age of 24, the foursome is energetic — they’ve released four albums in three years — and musically mature, weaving banjo, guitar and harmonica into an easy-going, organic sound that seems to have sprung fully formed from the Yadkin Valley soil. -Pat Moran, Creative Loafing CLT

The museum adds another must-see exhibit opening on January 15, a cast of a 122-foot-long dinosaur Titanosaur that is part of a special year of dinosaur events, exhibitions, and digital offerings. Paleontologists have inferred that this dinosaur, a giant herbivore that belongs to a group known as titanosaurs, weighed in at around 77 tons—as much as 14 or 15 African elephants. In preparation for adding this colossal new exhibit, the museum closed the Miriam and Ira D. Wallach Orientation Center in September to remove the hall’s current incumbent: a life-sized—but, by comparison, diminutive—fleshed-out model of a juvenile Barosaurus that has been on display since the completion of the fourth floor in June 1996. The new, much larger occupant will graze the gallery’s approximately 19-foot-high ceilings and, at 122 feet (37.2 meters), is just a bit too long to fit completely into the space. Instead, its neck and head will extend out towards the elevator banks, welcoming visitors to the "dinosaur" floor.

Conflating narrative tropes and methods from television sitcoms, theater, science fiction, mythology, and anthropology, Mellors writes the scripts for each of his projects, which he also directs, edits, and produces. His raucous films feature a book-eating creature named "The Object" who literally digests a family’s library in Ourhouse (2010–ongoing); a Neanderthal in perpetual free-fall over the San Joaquin Valley in Neanderthal Container, (2014); and two messianic beings, in the form of a cardboard box and a giant egg, who attempt to make sense of a culture that they created millions of years prior in The Aalto Natives (2017, in collaboration with Erkka Nissinen, originally conceived for the Finnish Pavilion at the Venice Biennale). For his exhibition at the New Museum, Mellors will create a new environment including video projection and animatronic sculpture. "Nathaniel Mellors: Progressive Rocks" is curated by Margot Norton, Curator, and will be on view in the New Museum’s recently inaugurated South Galleries, a space designated for premiering new productions at the Museum. The South Galleries preserve the character of the building’s loft spaces, where many artists historically worked and exhibited. Nathaniel Mellors was born in 1974 in Doncaster, UK, and lives and works in Los Angeles and Amsterdam. Solo exhibitions include the Box, Los Angeles (2016); Center for Contemporary Art Ujazdowski Castle, Warsaw (2014); Hammer Museum, Los Angeles (2014); Galway Arts Centre, Ireland (2013); Baltimore Museum of Art (2013); Malmö Konsthall, Sweden (2012); Cobra Museum, Amstelveen, Netherlands (2011); and Institute of Contemporary Arts, London (2011). Mellors has also been featured in group exhibitions at the Museum of Contemporary Art, Roskilde, Denmark (2016); the Taipei Biennial, Taiwan (2014); Manifesta Foundation, Amsterdam (2014); National Gallery of the Arts, Tirana (2014); National Centre for Contemporary Arts, Moscow (2013); Kunsthalle Krems, Austria (2013); the Slaughterhouse, Plymouth, UK (2011); Center for Contemporary Art Glasgow (2011); the Hayward Gallery, London (2011); the 54th Venice Biennale (2011); and Fondazione Sandretto Re Rebaudengo, Turin, Italy (2011). He is the recipient of the 2014 Contemporary Art Society Prize and the 2011 Cobra Art Prize. Mellors and Finnish artist Erkka Nissenen represented Finland at the 57th Venice Biennale with their collaborative video installation The Aalto Natives (2017).

Stevenson and EJI have received numerous death threats. The organization therefore took pains to keep the true purpose of the memorial’s construction under wraps for as long as possible. Stevenson used a 2016 New Yorker profile by Jeffrey Toobin to announce the project. Toobin spoke to a local legislator to get his reaction. The notably hostile response: “They better not be getting any government money from this.” Stevenson thought: Well, that’s too bad.

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Pock marks, ice-pick scars- these marks are indentations in the skin that arise from loss of skin as well as fat cells that happened throughout the formation and also healing of inflamed acne pustules or cysts.

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