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The Senses: Design Beyond Vision invites people to encounter design with all of their senses. A vivid, intimate experience, the exhibition will feature inclusive, interactive installations created in collaboration with contemporary designers, and innovative products to touch, hear, see, and smell that enhance life for all people, including those with sensory disabilities.

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Derrick Adams is a New York–based, multidisciplinary artist working in performance, video, sound, textile- and paper-based collage, and multimedia sculpture. His practice is rooted in deconstructivist philosophies such as the fragmentation and manipulation of structure and surface, and the marriage of complex and improbable forms. Through these techniques, Adams examines the force of popular culture and the media on the perception and construction of self-image.Derrick Adams: Sanctuary is an exhibition of large-scale sculpture, and mixed-media collage and assemblage on wood panels that reimagine safe destinations for the black American traveler during the mid-twentieth century. The body of work was inspired by The Negro Motorist Green Book, an annual guidebook for black American road-trippers published by New York postal worker Victor Hugo Green from 1936 to 1966, during the Jim Crow era in America.

In his review of Jazz, Dave Marsh of Rolling Stone called Queen “the first truly fascist rock band.” I’m guessing he was actually referring to the previous Queen LP, News of the World, which starts off with two songs explicitly intended to rile up large crowds: May’s “We Will Rock You” and Mercury’s “We Are the Champions.” Marsh’s assessment seems divorced from the intentions of the band members. Imagine if, say, Kiss had come up with “We Will Rock You” — we might still be pledging allegiance to our strongman president Gene Simmons all these years later. But the guys in Queen were iconoclasts who nonetheless had an unquenchable desire to please every sort of crowd. If that meant entertaining drunks during timeouts at basketball games with interstitial music, then here, enjoy this banging rhythm track.

Katy Perry unleashes a striking visual to illustrate the beautiful but sometimes painful way Continue

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When I think of Ray I see him as he was when I was his student, vital, lively, impish, funny and always happy.

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Through her exploration of the human inclination to decorate, embellish, and adorn our surroundings, Ellen Harvey has created an immersive installation featuring large-scale works that apply ornamentation to scenes from both city life and nature.

The secondary power is also effected by the permeability of the core – think of like the internal resistance of a battery.

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