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Sergey Klychkov’s paintings are both whimsical and profound, studious and spontaneous. Focusing mainly on portraiture, Klychkov is especially skilled at delineating the expressive details of the human face. While preferencing fine art over illustration, his paintings nevertheless suggest narratives. This comes most to light when his work portrays cartoonishly mismatched juxtapositions of phenomena in fantastical landscapes, implying roots in a highly-developed fictional history. In The Moons (2015), Klychkov’s use of oil paints lends his subject a folkloric aspect. Portraying a lunar fantasia, two female nudes are seated atop the roofs of houses, while two more fly in air. A fifth female figure rides on a purple horse through in the center of the scene. The warped spatial distortion of the figures’ limbs, as well as the houses, give the image a dionysian feel, while Klychkov’s color palette blankets this energy in an ashen-hued tranquility. While verging on the illustrative, the viewer can only imagine the backstory behind such a work. Taken in by the almost littoral calm of the painting, the viewer might feel caught up in the same insouciance with which the two women loll on a nightime roof.

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Raja Feather Kelly’s choreography includes Another Fucking Warhol Production (The Kitchen), Andy Warhol’s Bleu Movie (BAM Fisher), Andy Warhol’s Tropico (Danspace Project), Andy Warhol’s Drella, I Love You Faye Driscoll (The Invisible Dog), and Andy Warhol’s 15: Color Me, Warhol; (Dixon Place). Off-Broadway credits include choreography for Brenden Jacobs-Jenkins’s Everybody, directed by Lila Neugabauer (Signature Theater), Susan-Lori Parks’s The Death of the Last Black Man in the Whole Entire World, directed by Lileana Blain-Cruz (Signature Theater, nominated for the 2017 Lucille Lortel Award), Funnyhouse of a Negro, written by Adrienne Kennedy and directed by Lila Neugebauer (Signature Theater, nominated for the 2017 Lucille Lortel Award), Daaimah Mubashshir’s Everyday Afroplay (Jack), and Richard Allen and Taran Gray’s Freedom Riders: The Civil Rights Musical (Acorn Theatre), directed by Whitney White. Raja was born in Fort Hood, Texas, and is the first and only choreographer to dedicate the entirety of his company’s work to Andy Warhol and the development of popular culture over the last thirty years. Kelly can be seen in the work of Reggie Wilson/Fist and Heel Performance Group, Keely Garfield, and Kota Yamazaki. He has formerly been a company member with David Dorfman Dance, Kyle Abraham/Abraham.In.Motion, Christopher Williams Dance, Zoe | Juniper, Colleen Thomas and Dancers.

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“Early on, it became clear that things had changed, from Krischer saying, ‘we’ll put this guy away for life,’ to ‘these are all the reasons why we aren’t going to prosecute this,’ ’’ Reiter said.

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