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The party that leaves your tastebuds tingling. The finest DJs in NYC will be serving the most delicious house and techno.

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Name Sayers’ debut LP spins a torch-lit ritual of loud, gothic post-folk led by a singer whose hovering baritone and metaphysical command position him as the musical next of kin to Nick Cave and PJ Harvey (had the onetime lovers ever procreated). Eight scriptures from the ATX four-piece unfold with the tribal, floor-tom pounding of "Upbringing," over which Devin James Fry chants a creation story where his body and voice are a macrocosm of the Colorado landscape: "Yarrow grow where my heel go / Red canyon down my back." (The Austin Chronicle)

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When not surfing the Australian waves, the musician Møme (aka Jérémy Souillart) likes nothing better than composing. He has converted his van into a studio-on-wheels and, driving from coast to coast, he composes as he goes. Jérémy was raised in Nice and his ‘chillwave’ sound is proving a great hit back in his native France. Influenced by the artists of the Australian Future Classic label such as Flume or Chet Faker, his EP Aloha states his attachment to Pop Electronic music as testifies its aerial and beat soul covered by the voice of the Australian singer Merryn Jeann. Before releasing his first EP (Eclipse, 2014), the 26-year-old musician used to play the guitar in a rock band. He still plays, though he has gravitated towards the computer- and synthesizer-produced software that inspired the expanding Møme project. The new sound lay behind the track ‘Cyclope’ on his second EP (Cosmopolitan, 2015) which along with the clip got him noticed by the musical press. After producing his EP Aloha, Møme drove to Australia in his van last November and met other producers, male and female singers who feature on his recordings. Far from his comfort zone in the huge country where Future Classic was born Møme found a solid background to compose.

In Hit the Lights! Theater Co.’s new shadow play with music, ISLA is a story about the harsh realities of political refugees, the difficulties of starting over, the love of family and the spirit of female brawn. Inspired by documentary theater, Hayao Miyazaki and the original poetry and songs of Maria De Lourdes Blain (a political refugee who escaped Cuba with her sisters in the ’69 freedom flights to the United States), Hit the Lights! creates a magical world not so different from our own.

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