Program and musician details at www.bargemusic.org. NO REFUNDS: (within 12 hours after purchase you can void your credit card transaction) SEE EXCHANGE POLICY (below) EXCHANGES: Up to one hour before the performance, tickets purchased through Brown Paper Tickets can be transferred to a future concert date by calling Brown Paper Tickets at 1-800-838-3006, Ext. 1 Senior and Student discount tickets will require photo ID at the door. Bargemusic concerts are 1 to 1-1/2 hours, with no intermission.
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Along with videos of Spencer’s punched face set to music, the Internet also flooded with op-eds calling for civility, warning that punching Nazis (or people who hold Nazi-like values) would “lead to escalation of political violence across the board,” and arguing, “You do not get to punch people even though they are ideologically despicable.”
One of the things that strikes me about the Walsh drafts was the input he’d get from the assistant coaches. I remember reading something once about him checking in with Ray Rhodes, and Rhodes saying he could make something of the player and he did. Not sure who that was, but that’s powerful stuff. Don’t think the current staff really has anyone like that.
Mahnaz Collection Presents A New Exhibition London Originals: The Jeweler’s Art in Radical Times New York City, April 11 – May 11, 2018 Mahnaz Collection presents a new jewelry exhibition: “London Originals: The Jeweler’s Art in Radical Times.” Featuring 150 pieces of jewelry from the 1960s and ‘70s, the exhibition opens on April 11, 2018 at Wright, 980 Madison Avenue in New York City. It showcases jewelers working in London during a period of seismic changes in the arts, architecture, technology, design, fashion, music, women’s rights and youth culture. This exhibition aims to provide new visibility in the United States for the London Originals, many of whom once had enthusiastic collectors here. Their influential and timeless modern jewelry merits attention from new jewelry audiences as well as those interested in art and design. The jewelry in the exhibit includes the works of Andrew Grima, John Donald, George Weil, Charles de Temple, Gerda Flockinger, Tom Scott, Kutchinsky, Barbara Cartlidge, David Thomas, Wendy Ramshaw, and David Watkins. Their work was furthered by the vision and support of forward looking curators, museums, gallerists and writers, including, notably, Graham Hughes, Art Director of The Worshipful Company of Goldsmiths and the Victoria & Albert Museum in South Kensington, London. A separate, 150 page, illustrated catalog presents the jewelry; an essay presenting new research on the London Originals and their place in the cultural history of the 1960s and ‘70s by Mahnaz Ispahani Bartos; and an essay showcasing four modern jewelers by British jewelry authority Joanna Hardy. On view at Wright through April 20, 2018, the exhibition will continue until May 11, 2018 at Mahnaz Collection gallery on East 57th Street.
For the last 20 years, Julian Stefoni has been paying tribute to his purple majesty. Being multi-talented, playing guitar, keyboards, singing and dancing/performing, being backed by some really funky musicians, Erotic City delivers a high energy show that features classic Prince songs from his ultimate collection. With a complete live stage show, when its time to party like its 1999, Erotic City doesn’t hold back with the high heels, the lace pants, the ‘infamous’ purple coat, and all of the sexiness you will get in a Prince show. If you’re ever in need of you purple fix, Erotic City will definitely show up in a little red corvette with darling Nikki and create some controversy in the after world. ‘Dearly beloved, we are gathered here today to get through this thing called life.’ Let’s go crazy with Erotic City.
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New owner of DeWitt plant to make pliers similar to Vise-Grip | Local Business News | Labels Screen Printer Related Video:
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