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Welcoming Educator, Activist, and Author Jonathan Silin Join us for conversation and a book talk about Early Childhood, Aging, and the Life Cycle: Mapping Common Ground, a memoir that explores the process of aging and the challenges that link young and old in a common world.
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Ty Segall is a singer/songwriter who began playing guitar, drums and singing in lo-fi/garage bands, including the Epsilons, in Orange County, CA and in the San Francisco Bay Area. He made his solo debut in 2008 with a cassette release, but his 2009 album, Lemons (Goner Records), is considered his first official full-length. He followed up Lemons with a number of split 7" singles and a new full-length, Melted (Goner Records), in 2010. Ever profilic, Segall released two albums of new material in 2011, Live in Aisle Five (Southpaw) and Goodbye Bread (Drag City), and a collection of previously released tracks, Singles 2007-2010 (Goner Records). 2012 continued similarly busy, with three Segall releases: a collaboration with White Fence called Hair (Drag City); a record with his touring band, Slaughterhouse (In The Red), released under Ty Segall Band; and another solo album, Twins (Drag City), which came out in October. In 2013 he released Sleeper, followed by Manipulator in 2014, solidifying his place as the new blue eyed blond anglo saxon rock star in waiting (Kurt Cobain, Beck, et al).
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Yeah, Staley is pretty good but getting up there in age. Brown would be a better backup than both Gilliam/Coleman. Having him on the team wouldn’t cost them a future pick down the road, and he’s better value than the guy they drafted with the pick they got from NE.
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On Thursday, April 12, 2018, an interactive exhibit will be curated by the students and faculty of Columbia’s Oral History Master of Arts program. From grade school we learn that History is the Thing that Happened. The bell rings and we leave History in a closed textbook, a specific classroom, and carry on with our day. We consume media, we process news, we have conversations, we think about tomorrow. But in doing so we are participating in history: constantly orienting ourselves in relation to existing and selected narratives. HEAR & NOW is a multimedia pop-up presenting the fieldwork of scholars who are also activists, researchers who are also storytellers, oral historians who are also community members. We, the members of OHMA, are intent on confronting our own roles, rights, and responsibilities as producers of knowledge, and urgently embrace the changeability of history. In many ways, this exhibit is an intervention. The telling of the past has been actively and hegemonically filtered, but we can work to recuperate silenced narratives and to change what capital-H History remembers moving forward. Let HEAR & NOW represent one of many efforts this year to recuperate these narratives.
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