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Ana, born in Serbia (formerly Yugoslavia), grew up in a family where music was very important. All throughout her youth, her father would invite friends over for nightly jam sessions. In this atmosphere, she quickly learned her father’s impressive blues and soul record collection, grabbed his guitar and started playing at the age of fifteen. Since then, Ana has developed into an phenomenal guitarist/vocalist with a growing legion of fans throughout the world. na and her powerful band are tirelessly touring, playing major blues, jazz and rock festivals. She is endorsed by Fender, D’Angelico, Jim Dunlop and DR strings. Ana has shared headlining stages with B.B. King, Buddy Guy, Joe Bonamassa, Gary Clark Jr. and many others. She’s nominated for six Blues Music Awards, appeared on the cover of Vintage Guitar and Guitar Player magazine. Her albums Can You Stand The Heat (2013) and Unconditional (2011) where Pick-Of-The-Week by USA Today and featured on NPR Music. Nearly all of Ana’s albums made it the Top 5 of the Billboard Blues Charts and are being played regularly on US radio.

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MAX VERNON A rising composer/lyricist/librettist and performer with an ear for joyful melody and an eye for all the quirks of pop and queer culture (by no means mutually exclusive realms), Max Vernon drew raves for last year’s Off Broadway hits “KPOP” and “The View UpStairs.” He’ll perform songs from those shows and his latest, “The Tattooed Lady,” and other new material, in “Existential Life Crisis Lullaby,” a series of concerts each featuring different directors, set lists and guest stars — including Charles Busch, “Hedwig and the Angry Inch” composer Stephen Trask and the cabaret/performance artist Erin Markey — as well as a total of roughly 300 costumes, many created by the multitasking Mr. Vernon himself. The show arrives Sept. 25, Oct. 23 and Nov. 27 at Joe’s Pub, where the fall schedule also includes the downtown king of comedy Murray Hill offering a more intimate look at his life, albeit with showgirls and original music, in “About to Break” (Sept. 20-22 and 27-29); Ryan Rafferty’s “Black Swan”-inspired “The Obsession of Calvin Klein” (various dates between Oct. 28 and Nov. 17); and Nona Hendryx in a new collaborative piece, with music and elements of theater and dance, called “Refrigerated Dreams” (Oct. 26-27). (Gardner)

GANZ TOLLE SACHE!! Ich finde es sehr gut, dass DriveNow diesen Schritt geht und auch sehr interessant für die SUV-Verwöhnte bzw. verdorbenen US-Amerikaner.Jedoch auch sehr schade für uns in den Deutschen DriveNow Städten…Wann dürfen wir die Elektro BMWi’s endlich nutzen?! Warum die USA zuerst!? Kostengrund? Macht sonst das Elektrofahren leicht teurer.Und interessant für mich persönlich wäre die Nutzung in Berlin und NICHT in München Herzliche Grüße

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Apreciadas hermanas cada vez que encuentro algo para compartir con ustedes es porque ha sido de mucha bendicion en mi vida y por eso me encanta cuando publican lo que mando al rincon y mas con esos “piropos” tan alagadores que me hacen sentirme muy bien.Muchas gracias a cada una, que aunque a la mayoria no las conozco es como si las conociera de siempre y se que es el Amor de Dios que nos une…. Alabado sea DiosSaludos , besos y abrazos desde COSTA RICA

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Watch his 2013 TED Talk (over 5 million views to date) and you see that strategic smile and a humility and empathy honed in the local Pentecostal church of his Southern Delaware hometown. His father, Howard Sr., a lab technician at General Foods, was the believer. “He had us in church all the time,” says Stevenson’s older brother, Howard (there’s a younger sister, Christy, too). “He wanted us to pray for people who treated us bad. For my mother, you prayed afterwards.”