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Bobbie killed Casey in the middle of a cornfield in Milton, Nebraska. Two years later, Milton’s residents are ready to tell you their side(s) of the story. Nebraskan Alex Lubischer, a second-year candidate in the Playwriting Program at Yale School of Drama and the newest voice discovered by Roundabout Underground, pushes the boundaries of our Black Box Theatre with a sprawling cast of eccentric characters and an ambitious narrative that pulls back the husk of rural life. Show More THE HAROLD AND MIRIAM STEINBERG CENTER FOR THEATRE The Black Box Theatre, 111 West 46th Street, New York, NY, 10036 | Ticket Services: 212.719.1300

For those of you fretting over your inadequacy, in comparison with the likes of Eliot, Pound, and Williams, as a writer, I say give it time. American Idol has wrapped up season ten on Channel 10 in Tempe, but this only indicates the top eleven are tough at work in preparing for the American Idols Reside Tour, which kicks off on July six. I assume the solution to that query may well lie with 3 players who didn’t see action last year.

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Progress through these tracks gives the sense of an odyssey that could never be repeated. If you replay these tracks immediately after the first spin you’ll notice new landmarks, altered points of reference, and a kind of life that wasn’t first made obvious. A third spin offers yet another account of the journey. Like Jim Jarmusch’s movie Dead Man there’s a sense of inevitability about conclusion, a beauty in loss of direction—because all directions lead to the same destination. (popbollocks)

JOYCE MANOR Pop-punk has never been known for its gestures toward maturity, but Joyce Manor is an exception. More than aimless ennui, “Cody,” the Los Angeles band’s fourth album, from 2016, had the sepia tint of earned nostalgia, and it opened the door to a new career phase. This fall’s “Million Dollars to Kill Me” takes that path without getting fussy. “Nobody tells you it hurts to be loved,” the frontman Barry Johnson sings on the title track. “And one day you will realize/you are nothing, nothing without her.” Sometimes speaking plainly gets the point across. Epitaph. Sept. 21. (Coscarelli)

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