For the second long-term installation presented in The Drawing Center’s Lab Corridor, Santa Fe-based artist Susan York will create a site-specific installation that references the internal structure of the museum’s 35 Wooster Street building. Using graphite as a sculptural rather than a two-dimensional medium, York will create replicas of parts of the museum’s foundation: eroded concrete piers that protrude above the museum’s ground floor. York’s long-term installation will initiate an expanded field of activity at The Drawing Center, pointing to new opportunities for exploring drawing as an interactive and socially-minded practice. Additionally, by bringing attention to The Drawing Center’s building, York’s installation will generate opportunities for discussion about the importance of museums continuing as public spaces with permanent, physical presence
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I once organized a LAN-party in larger domestic building and supplied some tables with power from distant parts of the building (a few dozen meters perhaps in at least two directions). While connecting an ethernet switch of one of those tables to the main switch I got zapped. The building was not properly grounded or not all “grounds” were properly cross connected and the shielding of the ethernet switches were not at the same “ground” potential.
Mercury wrote “Somebody to Love” for Aretha Franklin, though it didn’t really reflect the reality of his personal life, as he was about to embark on an extended period of unchecked debauchery that lasted almost 10 years. Aretha never covered “Somebody to Love,” unfortunately, though the Queen of Soul’s rendition of “Precious Lord, Take My Hand” did play at the king of Queen’s funeral 15 years later. Grade: B-
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Set in the legendary city during the roaring "jazz hot" 20s, Chicago tells the story of two rival vaudevillian murderesses locked up in Cook County Jail. Nightclub star Velma’s serving time for killing her husband and sister after finding the two in bed together. Driven chorus girl Roxie’s been tossed in the joint for bumping off the lover she’s been cheating on her husband with. Not one to rest on her laurels, Velma enlists the help of prison matron Mama Morton and slickster lawyer Billy Flynn, who turn Velma’s incarceration into a murder-of-the-week media frenzy, thus preparing the world for a splashy showbiz comeback. But Roxie’s got some of her own tricks up her sleeve…
A Very Intimate Acoustic Evening with Pat Benatar & Neil Giraldo – The Paramount April 11, 2018 – Huntington
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The secondary voltage is also proportional to the primary voltage and not primary load current which are significantly out of phase with inductive loads like fridges.
Swing by the museum on a Monday morning for an engaging story time with plenty of interactive learning. Space is limited and tickets are distributed on a designated single-file line outside the 81st Street Planetarium Entrance between 9:45am and 10:15am on a first-come, first-served basis. Any remaining tickets will be distributed from the Discovery Room itself.
How do you make a movie about the lead singer of Queen that’s PG-13? Mercury did not live a PG-13 kind of life; he abhorred the very idea of a PG-13 kind of life. Engaging in R-rated mayhem (or NC-17, if we’re talking about the afterparty) was the whole point of being Freddie Mercury. Bohemian Rhapsody without explicit decadence is like Patton without war scenes, Raging Bull without fight scenes, or Monster without all that serial killing.
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