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Negro Swan’s world-weary opening track “Orlando” offers a 21st-century update on those tragic politics of deflation and depletion. Hynes’ production goes for pretty, sprightly textures: sampled street sounds, twinkling electric piano, chicken-cluck wah-wah guitar, and a mid-tempo funky shuffle beat. As if to alert us to sudden danger, a dancehall-style alarm goes off (alarms are a recurring motif on the album). Sounding like a quivering Curtis Mayfield, Hynes falsetto-croons the hook, “First kiss was the floor,” a blood-chilling reflection about being bullied/bashed as a child on a school bus. (Pitchfork)

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An indignant Lefkowitz wrote to Acosta: “You … assured me that your office would not … contact any of the identified individuals, potential witnesses or potential civil claimants and their respective counsel in this matter.’’