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Anonda Bell’s exhibition Biophobia features work inspired by when the artist first immigrated to the United States from Australia. "I found myself engaged in numerous conversations about all the deadly creatures that exist in my homeland," Bell explains. "When I would attempt to explain to New Yorkers that Australians are overall more comfortable living with an assortment of creepy crawlies, I would be confronted by incredulous looks of dismay. It occurred to me that within a city like this one, there are very few moments when people are confronted by the natural environment." There will be two works from the series shown – Arachnophobia (fear of spiders) and Entomophobia (fear of insects). Each of the works attempts to convey a sense of fear about the specific creatures, even to those who do not naturally feel fear or repulsion. "Biophobia" is defined as a sense of dis-ease in nature, and a derisive regard for climates and environments which are not man made or at least modified significantly by people. It is thought to be an acquired urge to affiliate with technology, human artifacts, to the exclusion of experiencing the natural world outside a constructed environment. This condition is a seemingly inevitable consequence of growing up in an urban environment where our interactions with nature may be limited to incidental encounters, strictly mediated and moderated by the perspective of urban planners, or those who generate media content (and sometimes benefit from propagating a fear of nature).

In his 1955 book, Notes of a Native Son, James Baldwin described America as having a “depthless alienation from oneself and one’s people,” and not “the faintest desire to look back.” But the past, he went on, “is all that makes the present coherent, and further, the past will remain horrible for exactly as long as we refuse to assess it honestly.”

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Third time exhibitor, Monotech Systems, will have an information booth at the show floor. The company will display its portfolio of products through brochures, samples and interactive sessions with visitors. The product range at Monotech Systems include hybrid inkjet printing system for variable data printing, VSRI machine for variable data inkjet printing, slitter rewinder  and inspection system, full color UV inkjet press and hybrid full color inkjet and track and trace workflow. The company also offers systems for printing on plastic cards, security and other inkjet printing systems.

Some of the prominent trends that the market is witnessing include online shopping and growing e-commerce companies, innovations in inventory management solutions and demand for advanced inventory tracking and management solutions.

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Works & Process, the Performing-Arts Series at the Guggenheim, Announces Spring 2018 Season – The Solomon R. Guggenheim Museum, Peter B Lewis Theater Through July 29, 2018 – New York

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The evening begins with a celebration of the release of composer-saxophonist Patrick Zimmerli’s Clockworks, a musical meditation on time, in all its forms, performed by Zimmerli with former Bad Plus pianist Ethan Iverson, bassist Chris Tordini and composer-jazz drummer John Hollenbeck. In the evening’s second half, pop/art song composer-violinist-vocalist Carla Kihlstedt and composer Jeremy Flower join Zimmerli, Tordini and Hollenbeck for the world premiere of Songs of Mourning, an exploration of sorrow ranging from the political to the personal, and other works from their cumulative pasts.

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