But unlike a lot of music made in Aphex Twin’s wake, Shelley’s never sounds overly reverent. On the contrary, it is playful and exploratory—the rare example of “experimental” music where pleasure seems to be at least as crucial as process. The interplay between contrasting textures—scrappy drum samples, brass-synth squelch, ethereal wordless vocals—is a source of constant fascination. Track lengths range from 95 seconds to nearly nine minutes, and in every case, the duration feels natural, a factor of Coates discovering exactly what he wants to say and then moving on. (Pitchfork)
• Wrap things up at "The Storytellers: African American Quilt and Doll Guild," on view at the Florence O’Donnell Wasmer Gallery at Ursuline College in Pepper Pike. The exhibition "features a diverse and delightful selection of handmade quilts and dolls created by members of this Northeast Ohio group," according to promotional material. Admission is free. Gallery hours are Tuesday-Friday, noon to 5 p.m.; Saturday and Sunday, 1:30 p.m. to 4:30 p.m. (Now through Friday, Dec. 28)
Among the most versatile musicians and producers of his generation, Terrace Martin has worked extensively with the likes of Snoop Dogg, Lalah Hathaway, and Herbie Hancock, and as a leader has a Grammy nomination to show for his creative synthesis of jazz, R&B, and hip-hop. The first record the young Martin bought was EPMD’s single "You Gots to Chill." While his love of hip-hop continued to grow, he also began to appreciate jazz through his father, a drummer. After playing keyboards for several years as a teenager, Martin picked up the saxophone and within a few years landed a gig with P. Diddy. Shortly thereafter, he began a long-term association with Snoop Dogg and gained a college scholarship via Jay Leno after the Tonight Show Band’s Kevin Eubanks heard his playing. Martin kicked off his production career in 2004 with work for 213, Shawnna, and others, and in 2005 he worked with a pair of West Coast legends, landing a track with Warren G along with three cuts on the collection Bigg Snoop Dogg Presents: Welcome to tha Chuuch – Da Album. Snoop also gave Martin his first production credit on a single when "Neva Have 2 Worry" dropped in 2008. That same year he released the mixtape Locke High with DJ Drama as host. The year 2010 saw him partnering with DJ Devi Dev on the mixtape Here, My Dear. In 2011 he joined forces with rapper Murs for Are Melrose, and worked with Devi Dev on the Sex EP. The next year, Martin contributed to Kendrick Lamar’s breakthrough, good kid, m.A.A.d city. His first solo album, 3ChordFold, arrived in 2013 with appearances from Lamar, Snoop, Ab-Soul, Robert Glasper, and others.
During that he still has a couch for friends and also a huge mattress for 2 that gives a peaceful evening’s rest.
Tonight some of NYC’s funniest up-and-coming comics will audition for both our Club’s talent booker and one of the nation’s top Festival Bookers. This is one of our most popular shows, and has run uninterrupted for 15th consecutive years. You will also be treated to some of NYC’s best veteran headliners. No online-tickets available. Simply buy your tickets at the door on the day of the show. This is a Special Event no discount tickets accepted.
The Jazz Standard Youth Orchestra (JSYO) will get families grooving every Sunday throughout the school year at Jazz Standard’s popular JAZZ FOR KIDS brunch. Talented musicians between the ages of 11 and 18 dish out jazz classics such as "Cherokee," "How Insensitive," and "Billie’s Bounce," as family audiences devour the goods off Blue Smoke’s southern barbecue lunch menu. Babies welcome!
The Last Nites are a group of fun and talented musicians coming from the NYC area who specialize in performing cover songs as if they were their own. Since they don’t adhere to the standards of cookie-cutter cover bands, they deliver an unforgettable show and a genuine musical experience because they are a band that loves what they do. On April 12th, The Last Nites will be performing the soundtrack to Quentin Tarantino’s classic movie, Pulp Fiction, in its extended entirety. In addition to performing each of the songs featured on the CD release of the move, they will also be exploring many of the forgotten songs that pepper the film.
Ãâ°, seguramente, filho da mãe dele. A que nunca devia ter nascido.O R. Williams estará confortavelmente a passar férias algures por aÃÂ, onde o recebam com honras merecidas…Gosto da caixa. Tens prá troca?:)Abreijos
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