The 50 things we discovered, rediscovered or just plain fell in love with about Tulsa this year | Slideshows | 8 Heads Labels Winding Machine

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christian louboutin strasbourg air force 1 uk Olympic swimmer Natalie Coughlin was the guest racer on the Emirates boat during the sixth fleet race. (Photo by Ezra Shaw/Getty Images for Omega). If you must fly, try to find out whether your nearest airport serves as an airline fortress hub or not. Fortress hubs are airports where a certain airline has a near monopoly, allowing them to raise ticket prices out of that airport.

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The narrative themes of Romare Bearden’s work spanned historical, political, and religious topics. Through his innovative works of art, Bearden communicated his ideas and thoughts about everyday African-American life in 20th century America. The exhibition includes prints in a variety of methods (aquatint, engraving, etching, lithograph, and silkscreen) from the Hofstra University Museum Collections.

Alan Doyle chalks up a lot of where is he right now—with both his third solo album and his second book released in October 2017—to luck. "I’m the luckiest guy I’ve ever even heard of," he says. "This was all I ever wanted, a life in the music business, singing concerts. I was lucky to be born in the family I was, in Petty Harbour. I was lucky that Sean, Bob and Darrell found me and asked me to join their band. I was lucky the Canadian music fans were into it." And yet, one listen to A Week at The Warehouse makes it plainly clear that there’s a lot more than luck at play in this decades long, awards-studded career. This album, recorded live off the floor with Doyle’s "beautiful band," as he calls them, with producer Bob Rock at the helm, is chock-a-block with country-tinged, radio ready tunes that bring with them the flavour of some of Doyle’s favourite artists, from John Mellencamp to Rock’s own band, Payolas (In fact, Doyle covers a Payolas tune on this album, Forever Light Will Shine, with that band’s singer, Paul Hyde appearing as a guest vocalist.) In addition to Rock’s work with Payolas, Doyle loved the metal albums Rock produced in the eighties, and his more recent work with the Tragically Hip, Jann Arden, and others. "It’s a real treat to get to meet your heroes and they turn out to be nicer than you ever imagined," Doyle says. "A couple things about Bob, he’s first of all, still a massive fan of a good song, for a man who’s seen hundreds and thousands of them, he’s still thrilled to get a chance to work on a good song with a good band in a good studio, that’s still a perfect day for him. And secondly he’s just a wonderful motivator to get great players to play at their best."

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Last Stop Laughs is a weekly late night Stand Up Show. It’s the perfect way to end your Saturday night in the Astoria Ditmars area.

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South Street Seaport Museum presents Special programming exploring the legacy of the RMSTitanic Curator’s Talk Thursday, April 12, 2018 at 6:30pm Walking Tours Saturday and Sunday, April 14 and 15, at 12pm and 2pm The South Street Seaport Museum presents special programming exploring the legacy of the RMS Titanic during the month of April. First, a Curator’s Talk on their exhibition Millions: Migrants and Millionaires aboard the Great Liners, 1900-1914 on Thursday, April 12, 2018 at 6:30pm at the Melville Gallery, 213 Water Street, NYC. Tickets are free for members (registration required) or $10 for non-members and can be purchased at seaportmuseum.org/curatortalks or in person at the main Museum building at 12 Fulton Street, NYC. Then, a special walking tour exploring Titanic’s life and legacy, Saturday and Sunday, April 14 and 15, at 12pm and 2pm This April marks the 106th anniversary of the Titanic disaster. Join the Seaport Museum’s historian, and curator of Millions: Migrants and Millionaires aboard the Great Liners, 1900-1914 for special programs commemorating the brief life and journey of the RMS Titanic. First Join us during a special curators talk for an in-depth look at the exhibition: Millions, and New York’s special relationship with ocean liners. Then on Saturday and Sunday, April 14-15, join the Seaport Museum for a special walking tour to commemorate the 106th anniversary of the sinking of RMS Titanic, and the legacy of Titanic’s brief life. From Schermerhorn Row to the Brooklyn Bridge, the Seaport District is full of surprising connections to many of Titanic’s passengers. Come and discover these forgotten ties between the ill-fated liner and South Street. Tickets are $20 for members or $25 for non-members and can be purchased at seaportmuseum.org/seaportwalkingtours/ or in person at the main Museum building at 12 Fulton Street, NYC. About the Exhibition Millions: Migrants and Millionaires aboard the Great Liners, 1900-1914 is one of the first exhibitions to examine, side-by-side, the dichotomy between First Class and Third Class passengers aboard ocean liners in the early 20th century. Ships like Titanic, Olympic, Lusitania, Mauretania, Aquitania, and Imperator dominated transatlantic travel. On each voyage, they transported thousands of people, First-Class passengers sailed across the Atlantic in the lap of luxury while Third-Class passengers made the voyage in the stuffy lower decks.  From 1900 to 1914, nearly 13 million immigrants traveling in Third Class arrived in the United States. During this same period, America’s wealthiest citizens, totaling no more than a hundred thousand passengers each year, traveled to Europe in First Class, spending over $11.5 billion (2017) on luxury vacations. Even though First Class and Third Class sailed on the same ships, their journeys were worlds apart. This exhibition features both original and reproduced artifacts from the South Street Seaport Museum’s permanent collection including ocean liner memorabilia and ephemera, ceramics, and luggage trunks from both immigrants and First Class passengers. The exhibition highlights a few ship models of New York Harbor working vessels that played critical roles in immigration, including a model of the Museum’s lightship Ambrose (LV-87). Ambrose, a floating lighthouse, stood watch at the front door to New York Harbor during the greatest period of immigration in US history. Her official duty was to mark the entrance to the Ambrose Channel, a deep channel dredged between 1900 and 1907 to allow larger ocean liners, the largest of which had doubled in size in those same years, safe access into the harbor. But Ambrosehad another vital role; her light was the first thing an immigrant would see as they entered New York Harbor, long before the buildings and piers on the waterfront, long before the Manhattan skyline, and long before the lighted torch of the Statue of Liberty. Evoking the spirit of First-Class grandeur, a piece of wood paneling that once adorned the interior of the Smoking Room of the RMS Mauretania will be recreated by master woodcarver Deborah Mills throughout the run of the show. This work-in-progress will be on view in the exhibition space during regular hours Thursday through Sunday. Each Wednesday visitors can visit the Museum’s Maritime Craft Center at 209 Water Street and watch as the artist brings the piece closer to the original. Throughout the exhibition, there will be screenings of films which feature ocean liners and immigrants in their critical roles in New York Harbor life at a time when this city was the busiest port in the world.  The exhibition familiarizes viewers with passenger life aboard ocean liners, the defining differences between travel for wealthy Americans in First Class and future Americans immigrating to the United States in Third Class, and the continuing importance that immigration plays in American history. The exhibition is curated by William Roka, Historian, and Michelle Kennedy, Collections and Curatorial Assistant, at the Seaport Museum. Exhibition design and art direction by Rob Wilson and Christine Picone of Bowne Printers, the Museum’s historic letterpress shop. Lectures and all-ages public programs will take place throughout the length of the exhibition. The exhibition is included with Museum admission: South Street Seaport Museum members: FREE, $12 for adults, $8 for students and seniors, and $6 for children ages 2 – 17. Tickets can be purchased online at www.southstreetseaportmuseum.org/ or in person at 12 Fulton St. This exhibition is made possible by generous support from Theodore W. Scull and is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. ABOUT SOUTH STREET SEAPORT MUSEUM The South Street Seaport Museum, located in the heart of the historic Seaport district in New York City, preserves and interprets the history of New York as a great port city. Designated by Congress as America’s National Maritime Museum, the Museum houses exhibition galleries and education spaces, working nineteenth century print shops, and an active fleet of historic vessels that all work to tell the story of "Where New York Begins."

Take a tour of the galleries and create art through hands-on activities. Each month features different art materials and techniques inspired by the works on view. All ages must be accompanied by an adult.  No advance registration required.