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Benten Koz? (The Gay Masquerade). 1958. Japan. Directed by Daisuke Ito. Screenplay by Fuji Yahiro. With Raizo Ichikawa, Shintaro Katsu, Kyoko Aoyama. In Japanese; English subtitles. 86 min. A classic kabuki spin on the Robin Hood legend, The Gay Masquerade is done up in spectacularly colorful widescreen fashion by director Daisuke Ito, a pioneer of the jidaigeki (period drama), and cinematographer Kazuo Miyagawa. As the honorable thief who doubles as a courtly woman, Raizo Ichikawa (Conflagration) gives a brashly modern gender-bending performance. 35mm print courtesy the National Film Center; The National Museum of Modern Art, Tokyo; and Kadokawa.

Reason Number One: His pride was hurt – It may sound juvenile, but emotions often take us back to grade school, when the laws of Draco ruled the playground. It will not help if you fight back emotionally or get upset. Tell your ex that you are cool with the break up – This is important.

The borrower paying rating agencies is like me bringing a mechanic to asses the car I want to sell. It’s a joke. And governments picking the rating agencies that are truth worthy is an even bigger joke considering that the agencies will be forced to rate the governmental debt better than it is. If I had a rating agency, the DOW would be a short and the bonds of Greece, Spain, Hungary, Romania, Italy, Ireland, UK, US, Portugal, France would be close to junk bond.By the way Baron, at first you had me fooled with case study #2. But then it got even too ridiculous for the UN too. lol

Encounter the original works Lee Freeman collected from cutting-edge artists from communist-era Czechoslovakia, art pieces that might have never been breathed without his vigorous determinantion to bring them across the Iron Curtain. Brought by the National Czech & Slovak Museum & Library with Lee Freeman in person on April 28.

Member pre-sale starts on July 10th. Tickets go on sale to the general public on August 10th. Kimberly Bartosik explores faith, ecstasy, and violence within specific, radical religious practices in Untitled (1-2). This two-phase, dual-venue work delves into her experiences of growing up in North Carolina and her family’s embrace of Born-Again Christianity and Charismatic rituals. The Live Feed creative residency program is a laboratory for the development of new commissioned work directed toward our theater. This informal workshop showing offers a sneak peek into the artist’s process and ideas before they hit our stage. Taking place within the intimate working space of the Live Arts studio, each showing is followed by a discussion with the artist moderated by special guests and Live Arts staff.

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Sure, maybe YOU didn’t run because of potential barriers you face as a woman, but this story isn’t about you or about specific, individual cases. It is about looking at the bigger picture. You make some valid points, but you are not taking into consideration that women do play significant roles in the university community in the very same ways that you cite (sororities, RMs, etc).

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