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Women must be careful about wearing pigtails, cornrows or using tight rollers. This might be called “watering and oiling” in when you brush your teeth and wash see your face through the night, then water and oil your hair. Most from the foods we eat in this age of wonders hijacked some time ago by corporate vandals severely lack these essential goodness as a result of debt-driven manufacturing processes and dangerously depleted soils.

Design silhouette puppets that animate your tale of travel with a vintage subway car as our stage! For ages 5+

I get to chatting with the driver, an African-American who looks to be in his 60s. He tells me that he grew up and raised his children in Montgomery, that he loves it here, particularly the slow pace and the barbecue. He asks the reason for my visit. I explain that I’ll be interviewing Bryan Stevenson, the lawyer, activist and director of the nonprofit Equal Justice Initiative. He nods in recognition. I ask if he’s been to EJI’s three-month-old National Memorial for Peace and Justice, which remembers the thousands of lynched African-Americans. “No,” he says. “I don’t need to go. I lived it.” Has racism in Montgomery improved since his childhood? “A little,” he says evenly, “but it will always be here. I don’t expect that will change in my lifetime.”

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From Left: A black student is jeered as he enters school in Clinton, Tennessee in 1956; a little more than a half century later, members of the National Socialist Movement, one of the largest neo-Nazi groups in the U.S., demonstrate at a Draketown, Georgia, rally in April. One of the failings of modern textbooks is that they do connect slavery and segregation with white supremacy today. From Left: Universal History Archive/UIG/Getty; Spencer Platt/Getty

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Paul Kasmin Gallery is pleased to announce the debut presentation of a selection of Robert Polidori’s large-scale color photographs of the frescoes of Fra Angelico (1395-1455) contained in the Dominican priory of San Marco in Florence. The exhibition will be on view from March 8 through 14 April, 2018. In the canon of art history, these works, executed in the birthplace of the Renaissance, give us a full sense of the period’s renewed commitment to the life of the spirit. Polidori visited the Convento di San Marco several times over the course of 2010 to capture the solemnity and sheer force of the frescoes and their reflection, through the depiction of the life of Christ, of the universal condition of mankind. The frescoes, painted by Fra Angelico between 1439 and 1444 for purposes of devotion and contemplation, extend beyond literal storytelling. They shift into the metaphysical realm, bringing the viewer into contact with the incidents of the life of Christ in the context of a newborn psychological and subjective interpretation. In this altered manner of worship lies the root of the changes in faith and understanding that were to follow during the span of the reawakening that we know as the Renaissance.

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