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The oldest bridges were logs and stepping stones. Balancing across them allowed a traveler to pass from one side to another. SEED / POND is an exhibit that seeks to bridge the divide between internal and external perception by offering large-scale algorithmic ink drawings to ponder as well as the opportunity to physically navigate through a gallery-wide floor drawing installation. The SEED drawings act as portals to labyrinthian journeys generated from either boundary or core, each mark impacting the location of the next, a spiraling pattern of choices made that influence the choices still to come. The drawings lead the eyes to focus on the center while simultaneously expanding outwards to the circumference of growth. Each drawing is a seed of vibrating light, acting as a nucleus of future expansion, representing the light that is transmitted through generations. POND is an invitation to step consciously along a path composed of stepping stones scattered within drawn undulations of interwoven water. The installation emerges from the tradition of walking labyrinths, meditative paths that can inspire focus while the walker navigates through all that is flowing around them, all their relations, all their thoughts. Unlike single path labyrinths, the stepping stones of POND form a maze with multiple routes, where every step seeds the next, where the outward physical act of finding balance can inform one’s inward centering.

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Danziger Gallery is pleased to announce our representation of the photographic estate of Antonio Lopez. The foremost fashion illustrator of the 1970s and 80s, Antonio (as he signed his work) was and remains one of the most highly regarded and influential figures in the fashion world. While not initially known as a photographer, Antonio was rarely without his favorite Instamatic camera, and as his career progressed he turned increasingly to photography to create fashion stories, portraits, and elaborate mise-en-scènes. This exhibition – the first to focus exclusively on Antonio’s photographs – features a selection of the unique Instamatic prints from the 1970s that were his photographic form. Developed and printed by Kodak, these prints were either mounted by Antonio or stored in the original yellow Kodak envelopes that the film was processed and delivered in. As Antonio never sent the negatives back for re-printing each print is unique. While primarily known for his fashion illustrations, Antonio did not treat his photographs lightly, assembling them in grids and pairs to create dynamic and visceral patterns. While the prints may superficially resemble Andy Warhol’s Polaroids because of their size and period, Antonio’s Kodak prints are a burst of energy to Warhol’s more classical studies. While Warhol’s Polaroids were mostly the basis for future painted portraits, Antonio’s photographs were an end to themselves. A serial Svengali, as the writer Karin Nelson noted: "Lopez brilliantly transformed the women in his world. Under his tutelage, Jerry Hall, a long tall Texan he met at Paris’s Club Sept, evolved into a golden goddess. He put Jessica Lange in gold lamé evening dresses after discovering her in Paris studying mime, and gave aspiring model Tina Lutz her start (and an introduction to future husband Michael Chow); and, by spotlighting Pat Cleveland, a mixed-race model with a theatrical streak, he helped break down the color barrier in high fashion." Other favorite subjects were the young Grace Coddington, Grace Jones, and Paloma Picasso. Antonio Lopez was born in Utuado, Puerto Rico in 1943. His family moved to Spanish Harlem in 1950 where he showed early promise as an artist making drawings for his mother who was a seamstress and dressmaker. In the early 1960s he enrolled on a course at the Fashion Institute of Technology (FIT) in New York where he met Juan Ramos who became his life long collaborator. He joined The New York Times in 1963 but was soon freelancing for Harper’s Bazaar, British Vogue and French Elle. In 1969 he moved to Paris with Ramos where he was commissioned by all the leading fashion magazines. He returned to New York in 1975 creating numerous covers and picture stories for Andy Warhol’s Interview Magazine. Antonio died in Los Angeles 1987. He was forty four years old. A documentary "Antonio Lopez 1970: Sex, Fashion, and Disco" is slated for release in the fall of 2018. Written, produced and directed by James Crump, the film covers his colorful and often outrageous milieu and features Jessica Lange, Jerry Hall, Grace Jones, Grace Coddington, Bob Colacello, Patti D’Arbanville, Karl Lagerfeld, Juan Ramos, Bill Cunningham, Yves Saint Laurent, Donna Jordan, Michael Chow, and Paul Caranicas, among others.

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