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It’s impossible to make an argument with somebody whose style is Alinsky’s “Rules for Radicals” under “Tactics”..rule #5. 5. “Ridicule is man’s most potent weapon. It is almost impossible to counteract ridicule. Also it infuriates the opposition, which then reacts to your advantage.”There is only one counter attack to rule #5 and that is to turn the tables with meaningful, articulate ridicule. They do not know how to cope with having the tables turned on them and they go into full melt down. Be smart, don’t use foul language, do not become angry, but mock their ideas.

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This album had one of the all-time wildest release parties in the history of the record business. I’ll just quote from the Rolling Stone account: “Queen threw a bash in New Orleans that featured snake charmers, strippers, transvestites and a naked fat lady who smoked cigarettes in her crotch.” Jazz can’t really live up to that, though you can certainly detect an influx of sleaze on the record. May’s “Fat Bottomed Girls” is a song that seems patently sexist and yet has been defended by feminists. (May himself claims that he was paying tribute to the “average” people he saw in the audience at Queen shows.) And then there’s “Don’t Stop Me Now,” Mercury’s rousing tribute to his own libido, in which he proclaims that “he’s a sex machine ready to reload.” In the music video, Mercury can be seen quite clearly wearing a T-shirt advertising the Mineshaft, the grimy members-only Manhattan BDSM bar that opened in 1976 and included dungeons, jail cells, and rooms where people urinated on other people.

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A crowd gathering to witness the killing of Thomas Shipp and Abram Smith, two victims of lynch law in Marion, Indiana, August 7, 1930. This image was the inspiration for the poem "Strange Fruit" by Abel Meeropol. Lawrence Beitler/by Hulton Archive/Getty