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Presents new and proven technology for web guiding, web monitoring, 100 percent inspection, color measurement and register control. BST eltromat will be showing a CompactGuide with a CLS Pro 600 digital line and contrast sensor, and a CompactGuide with a wide array sensor, as well as an  EcoGuide web guiding system that can be individually configured to meet a variety of requirements. Also shown is the ekr commander for the ekr 500 digital controller. With intuitive operation, completely revised hardware, new software and a higher-resolution graphical display, the flexible touchscreen of the new ekr commander offers maximum operating convenience. The new system provides support in all the areas where it makes sense to use a touchscreen – during set-up or for direct data input, for example. Its keys feature ‘tactical feedback’ to prevent incorrect operation. The new ekr commander is 100 percent downward compatible. In machines that already operate with ekr 500 digital controllers, it can replace the current commanders at any time. For web guiding systems installed in machines, customers can connect an optional, second ekr commander. BST eltromat presents that Super HAnDYScan 4000 and POWERScope 5000 web monitoring systems, the latter featuring a high level of operating convenience. It can be operated via the hotkeys of the external keyboard or using the intuitive gesture control of a multitouch monitor. In both cases, operation is reduced to the essential functions, providing ‘maximum user friendliness’. The web monitoring system also features a wear-free electronic zoom and outstanding image quality thanks to the high-resolution digital camera and LED flash. At Labelexpo Europe 2017, POWERScope 5000 will be shown in use on a rewinder. A CompactGuide, a Shark 4000 Lex system for 100 percent inspection and TubeScan eagle view inspection system will be exhibited on the same rewinder. And BST eltromat will demonstrate the diverse options of its modular iPQ-Center. With its four modules – iPQ-Check for 100 percent inspection, iPQ-View for web monitoring, iPQ-Spectral for in-line spectral color measurement and iPQ-Workflow as the connective element – this system can cover special customer requirements for quality assurance in narrow web processes such as label printing. For example, iPQ-Check works with the illumination that BST eltromat specially developed for reflecting materials – a unique performance characteristic. With iPQ-Spectral, label printers can ensure that the color values of printed labels consistently meet customer specifications perfectly. And iPQ-Center is open for the production-supporting technologies of other manufacturers such as Automation Engine from Esko. Another highlight are products that focus on color management for offset printing, including FSS 15 ink fountain control in combination with AR4000 register control. The FSS 15 ensures high-precision color settings in all offset printing units. BST eltromat provides an extra option for the FSS 15: finecolor ink fountains with laser-cut precision blades, special seals, and tried and tested mechanics for ink key adjustment for unlimited reproducible gap openings between ink blades and ink ductor roller in all ink keys.

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Miguel A. Chavez’s calming paintings invite his audience to consider the bucolic beauty within the everyday experience. Working in predominantly oil on canvas, the majority of Chavez’s oeuvre encompasses highly detailed renderings of neighborhood facades executed with softly textured brushstrokes and compositional clarity. In works such as San Diego House, white stucco bungalows thatched with terra-cotta roof tiles and turquoise wooden shutters lay nestled within Californian eucalyptus and palm trees. In Colorado House History Museum, a large log cabin, its edges lined with a white wooden trim, peers bashfully towards the audience amidst a curtain of Coloradan tree leaves, standing upon a carpet of clay and stone. Born and raised in Córdoba, Argentina, Chavez has traveled to and lived within areas of Mexico and Canada; the artist’s Latin heritage emanates throughout his illustrious oeuvre. Chavez’s works have been displayed in a multitude of private collections and institutions in cities across the United States, Mexico, Argentina, Japan, and throughout the continent of Europe. The artist currently resides in San Diego, California.

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— Edward Seaga is a former prime minister of Jamaica and currently distinguished fellow at The University of the West Indies and chancellor at the University of Technology, Jamaica

“There are challenges here that don’t exist in a lot of other places because of the affluence in the community, but the only way I could approach this case was that none of that matters. The truth is still the truth. The facts are the facts. Everybody is treated the same.”

In 1948, the World Health Organization defined health as a "state of complete physical, mental, and social well-being, and not merely the absence of disease or infirmity". The past two decades have seen a shift in the medical field towards such an integrative practice – treating the whole person, rather than simply their disease. Mental health professionals are starting to catch up. How can we help our clients ameliorate symptoms of mental illness, but also live in a state of optimal well-being? The field of positive psychology offers solutions. Over the course of two days, participants will embark on a journey through the pathways of human flourishing, and will be introduced to evidence-based positive psychology interventions to supplement clinical practice.

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Christofle ‘Moments Pétillants’ – Sparkling Moments Exhibition – Christofle Through April 27, 2018 – New York

In June of 2015, Miriam Schapiro, the pioneering feminist artist and founding member of the Pattern and Decoration movement, passed away at the age of ninety-one. Surprisingly, given her status as the elder stateswoman of the feminist art movement, the tremendous impact of her oeuvre on contemporary art has yet to be fully acknowledged or critically assessed. This exhibition seeks to redress this gap in the history of American art through an exploration of Schapiro’s signature femmages, the term she coined to describe her distinctive hybrid of painting and collage inspired by women’s domestic arts and crafts and the feminist critique of the hierarchy of art and craft. In examining the aesthetic and political objectives of Schapiro’s femmages, this exhibition highlights the pivotal role her work and leadership played in the expansion of the art world to include historically marginalized forms of craft, decoration, and abstract patterning associated with femininity and women’s work. Although she is unheralded as the source, the influence of Schapiro’s subjective approach to forms of decoration can be identified today in an remarkably diverse group of artists who continue to find inspiration in her embrace of artistic practices outside the art historical canon. To highlight this legacy, works by a select group of contemporary artists, including Sanford Biggers, Josh Blackwell, Edie Fake, Jeffrey Gibson, Judy Ledgerwood, Jodie Mack, Sara Rahbar, Ruth Root, and Jasmin Sian, will be exhibited alongside Schapiro’s signature femmages. This juxtaposition of historic and contemporary work brings into critical focus the tremendous role Schapiro’s femmages played in the reframing of craft and decoration, while shining a light on the way artists today, both distinguished and emerging, continue to approach the decorative as a language of abstraction tied to the personal and the political.