“metal chassis, which shouldn’t be the return path for current or else something’s terribly broken”, unless you’re dealing with vehicle wiring
MARC RIBOT “Songs of Resistance: 1942-2018,” the guitarist Marc Ribot’s response to a global wave of tribalism, authoritarianism and isolationism, is both historical and up-to-the-minute. It juxtaposes anti-fascist songs that date back as far as World War II with new ones, leaning toward persuasion and compassion rather than hectoring. Guest vocalists include Meshell Ndegeocello, Steve Earle, Syd Straw and Mr. Ribot’s longtime employer, Tom Waits. Anti-. Sept. 14. (Pareles)
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Môi tr??ng là m vi?c : M?i lo?i v?t li?u bánh xe có tÃnh t??ng yêu thÃch và h?p lý ??i v?i môi tr??ng là m vi?c khác nhau. Thà d? : khi có h?i acid, d?u nh?t, hóa ch?t, và các ?i?u ki?n khác có h?i cho cao su, hãy ch?n bánh xe PU, bánh xe Nylon, bánh xe Phenolic th??ng bánh xe thép. Ki?m tra môi ??a ?i?m là m vi?c tr??c trong bà i vi?t d??i ?ó hãy l?a ch?n bánh xe ??y hà ng h?p lý .
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Rolling Optics will show its micro-optical technology for anti-counterfeit labels. The micro-optical flexible material can be combined with track and trace and anti-tampering technology to achieve multi-functional security. Rolling Optics will showcase a range of converted products where the Rolling Optics micro-optical material is integrated in different products. For example, Rolling Optics offers a closure for bottles where the 3D-material is integrated and where it will destroy when being opened. Other examples are sew-in labels in different formats. Either the label can be sewn in as it is with a laminated piece of cloth on the back, or in a product where the filmic label is integrated in a PVC pouch to be sewn onto shell jackets or similar. An In-mold label version is also available.
Will launch a number of major developments at Labelexpo Europe 2017. The Flex Series is a modular platform which increases flexibility while retaining its compact footprint. The customer can choose the output, while multiple converting features – including a 4-color inkjet module, auto knife box and turret rewinder – can be employed. A new version of the DC330mini will be shown combined with a hot foil module. It has a short web path and features a flexo unit, hot foil, die-cutting and rewind. The DC350 is a new generation of larger capacity lines with higher speeds and wider web widths, whose key features include a 1-meter rewind, semi-rotary varnish and MIS integration. Embellishment will also be a key focus area. On display will be the company’s off-line, standalone hot foil and screen units, aimed at smaller converters. A tension-modifying, in-register lamination module will also be launched for multi-layer label applications. The system was beta-tested by UK converter CS Labels, and the first official user is Danish converter Ikonprint. Finally, GM will debut its new ‘tandem concept’ – which allows a DC330mini, equipped with flexo unit and die-cutter, to be attached to a DC330FB, which runs dual screen, hot foil, varnish and flexo units. The machines can be run as two lines or as one, in tandem, with just the flip of a switch. ETPA Packaging, one of Greece’s leading converters, has recently installed the system.
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mbak itu rumah saya di utara n pantai timur p.tidung itu punya nama lokal yaitu tanjongan n mbak BBQ’nya dblakang taman khan…?
Ana Dávila’s lyrical paintings are as laden with personal expression and artistic freedom as they are striking in visual content. Working in mixed media on canvas, Dávila layers abstract, organic brushstrokes and a wide variation of materials in a seemingly endless manner that imbues each work with its own individuality and personality; throughout Dávila’s practice, no two works are alike. In works such as Orgasm (2017), spongy droplets of bright yellow, green, and cobalt blue in the background of the composition are sharply interrupted by gritty, textured swaths of vivid crimson that dominates the foreground and upper right quadrant of the painting. Dávila’s emphasis on contrasting tones and textures are at once highly emotive and reflective of the ever- changing nature of the human experience. In works such as Yeesss!!! (2017), background layers of bright red are sharply interrupted by energetic droplets, swaths, stamps, and drips of sky blue, cream, and black. Each indiscriminate splash of paint appears to engage in frenzied conversations with one another, thus commanding a life of its own.
Drop by the Computer Lab to take control of a NYC Subway car and operate it over virtual miles of track in an incredibly realistic game.
For more information about this report visit https://www.researchandmarkets.com/research/35q92j/global?w=5
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